I was telling a friend that I was almost finished with my book, and after expressing interest in reading it, he said:
I did find this article on writing a book synopsis, and I think I followed the five points...okay, I didn't exactly follow point 5 "Tell us the ending," but I heavily hint at it.
So this is the synopsis I have written:
it better have a good synopsis or whatever you call the overview of the bookMy response was, "Yeah, of course," though what I wanted to say was:
no, I'm going to go with a bad synopsis, I think that will sell more books.Of course, the real problem is; how do you know you have a good synopsis? I wrote the book, and have read it about a dozen times at least, and I'm still not sure what to include in the synopsis, and what angle to take. I guess the problem is that each reader will probably find something different appealing.
I did find this article on writing a book synopsis, and I think I followed the five points...okay, I didn't exactly follow point 5 "Tell us the ending," but I heavily hint at it.
So this is the synopsis I have written:
- Struggling musician Ed Fisher doesn’t care for fellow musician Aleck Sorenson. Sorenson has it all, good looks, talent, and fame, but that’s not why Ed doesn’t like him. He doesn’t like him because he’s a jerk. A jerk that nearly cost Ed’s band a gig.
So he’s not going to talk to him, he’s not going to go near him.
That’s the plan, but few plans go the way you want them to. And when it turns out the FBI is even more interested in Aleck than Ed is, Ed faces a dilemma. A dilemma that’s not helped when he discoverers he might be falling in love with Aleck.
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